A series of silent studies focusing on color portraiture.

A series of silent studies focusing on color portraiture.

实验影像《在山与山之间》以“影”作为叙事核心，反向探索、描绘我们所在的日常世界，反思光与影，自我与世界的关系。“影”成为自我意识可以以运动和无形的方式介入“人-世界“之间的罅隙，流动着勾连无与有、虚无与存在并形成除二之外的第三项。人们总觉得影子依附于光，但当日食出现，万物黑暗间涌动，人们以为影随光一同消失，却忘了万物其实都笼罩在巨大的影子里，影子不需要任何依附，有自己的生命。

实验影像《在山与山之间》以“影”作为叙事核心，反向探索、描绘我们所在的日常世界，反思光与影，自我与世界的关系。“影”成为自我意识可以以运动和无形的方式介入“人-世界“之间的罅隙，流动着勾连无与有、虚无与存在并形成除二之外的第三项。人们总觉得影子依附于光，但当日食出现，万物黑暗间涌动，人们以为影随光一同消失，却忘了万物其实都笼罩在巨大的影子里，影子不需要任何依附，有自己的生命。

Okgyun never fit the narrative spun by adoption agencies; she was a married mother of three. After being pressured to relinquish her fourth child, Mieke, was adopted to the Netherlands. In present day, Mieke visits her family in Seoul to celebrate her recent marriage. Between Goodbyes is an intimate portrait of one family’s enduring grief and love.

从具体的物，到庞大的山体，再到更为抽象的像素，光影；从视觉的清晰到模糊，从不变见万变。《在物之间》试图在物与物之间建立一种抽象且富有弹性的连接，为观者提供一种非语言性的感官体验。如Mei-mei Berssenbrugge写到”正因为不知道事物之间的联系，才有可能到达超出这个连接本身的理解。“ 　　在语言甚至经验之外，我们该如何去理解？是《在物之间》要讨论的问题。

Okgyun never fit the narrative spun by adoption agencies; she was a married mother of three. After being pressured to relinquish her fourth child, Mieke, was adopted to the Netherlands. In present day, Mieke visits her family in Seoul to celebrate her recent marriage. Between Goodbyes is an intimate portrait of one family’s enduring grief and love.

Kira Muratova made this film under the pseudonym of Ivan Sidorov in 1983, but the official release came in 1988. Taken from the novel by Vladimir Korolenko, this somber drama tells of a judge who is devastated after the death of his wife and is neglectful of his children. His son befriends the children of a street beggar who live in an abandoned, derelict church. After his experience with is new friends, the young boy begins to feel sorry for his father and sympathizes with his loneliness.

克里夫·欧文饰演一名作家，其创作遇到到瓶颈，江郎才尽，而朱丽叶·比诺什饰演一名画家，同样郁郁不得志，两个人在一所学校里相逢了。分别教写作与绘画的他们展开了一场关于文字和图画谁更有力量的辩论之战。然而在针锋相对的背后，一段不同寻常的恋情也正在酝酿。